Following
Comstock's preoccupation, the few studies to address The Days' Doings
have, for the most part, focused on its backpage ads. But the paper's
contents, and especially the engravings that graced every other page spread,
are of equal importance. Amid theater scandals, demimonde reportage, sporting
news, crime coverage, and the predictable hazards of everyday life (such
as accidents, disasters, pickpockets, and stray dogs), women were a focal
point of coverage. In the pages of Frank Leslie's Illustrated Newspaper
the repertoire of female behavior and roles was limited, dividing women
into two broad categories: the illustrious and anonymous. The illustrious
comprised singular figures who had broken into male professions; the anonymous
were further subdivided into dangerous women (for example, prostitutes)
and, when innocently or foolishly straying beyond the safety of the home
or supervised public venue, endangered women. These categories also held
true for The Days' Doings, but the illustrious women in the realm
of the solely or largely male reader took on the sexual frisson of notoriety:
inhabiting male positions suggested impropriety bordering on promiscuity.
[8]
And dangerous
and even endangered women offered readers a tantalizing visual eyeful
of transgression. Figure 4. “Modern methods of intoxication.—‘A hasheesh party’ in the City of New York— Young ladies ‘under the effect’ of a preparation of Indian hemp.” Wood engraving based on a sketch by Joseph B. Beale, The Days’ Doings, August 8, 1868, 168. |
The
wife of a leading editor of this city is reported to be a confirmed hasheesh
eater, and to have recently given a hasheesh dinner at her private residence
to a number of lady friends, devotees, like herself to the drug. Subsequent
to the dinner, the guests were discovered in all varieties of conceivable
and recumbent attitudes, under the influence of the deliciously-dreamily-dangerous
preparation. [9] |
Fueled by gossip, framed as “slaves of
hasheesh,” and pictured in supine and available positions, at least
two of the women in postures reminiscent of intercourse, a reform message
became a vehicle for titillation. Class—not to mention ethnicity and race—would tell, however, and a picture published two months later offered a similar tableau but with a decided turn from endangerment to dangerousness (Figure 5). Depicting an incident in a Sixth Ward tenement, the engraving captured the moment when several unemployed Irish women moved from “a frolic with cheap whiskey” to “a drunken row, in the course of which one of their number was beaten insensible and fell on the floor, subsequently dying of her injuries, while the rest continued their quarrel over her prostrate form. . .” Despite the bemoaning of alcohol and the harsher physiognomies and message about immigrant working women (“Irishwomen must certainly have curious ideas as to the nature of enjoyment”), the cautionary tale of degradation in this circumstance was trumped by its representation of wantonness and the taboo of physical violence between women. [10] Figure 5. “An Irish ‘shindy.’—A fatal frolic.” Wood engraving, The Days’ Doings, October 10, 1868, 297. |
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